“Lowell A. Meyer [has] demonstrated impressive skills and visual sensibilities in [his] projects to date, which include exceptional portfolios of shorts, commercials, music videos, documentaries, features and television work.”
- Rising Stars of Cinematography [American Cinematographer]
“Also deserving credit is the cinematographer Lowell A. Meyer whose searing, gumdrop colors turn almost every scene into a diorama of strange.”
“Knock at the Cabin is first and foremost an exercise in confinement, one that derives its claustrophobic power from the fluid interplay of Lowell A. Meyer’s meticulously composed widescreen images…”
- Justin Chang [The Los Angeles Times]
“The film’s director of photography, Lowell A. Meyer, find[s] exciting connective tissue between dappled sunlight and harsh shadows and make this cabin — for all the horrors that take place inside — look pretty darned appealing.”
“The cinematographer, Lowell A. Meyer, keeps the camera trained on [director and actor Jim] Cummings for what feels like minutes at a time. The elongation of individual shots builds tension beautifully inside the frame…”
- Justin Chang [The Los Angeles Times]
“The cinematography by Lowell A. Meyer is attuned to the mood and detail of [the] production design and to the child’s-eye-view allure of this vivid, smudged world.”
“Comedy aside, the punchy, Wes Anderson-meets-80's-music-video aesthetic of cinematographer Lowell A. Meyer offer delights of their own.”
“It’s a remarkable transition that unfolds with brisk camerawork… Cinematographer Lowell A. Meyer’s handheld approach captures the immediacy of the circumstances without letting things get too woozy, as Nikki speeds through the streets in desperate search for shelter.”
“Comedy aside, the punchy, Wes Anderson-“A real star player, though, is Lowell A. Meyer, whose lush cinematography sets the scene beautifully.”